![]() ![]() ![]() The notoriously thin and vulnerable polychrome finishes used on Depression-era Triolians, combined with a galvanised steel surface, led to paint flaking and blistering – a flaw that led to many refinish jobs and precious few completely original specimens. We are endlessly grateful that the stories written on its body have not been erased with an ill-advised restoration. That stat claim aside, I would say that most people probably wouldn’t like using any rangefinder camera, regardless of brand. I’m extremely confident of this due largely to all the usual factors, costs and availability being tops. The particular geography of distress across this specimen’s body and neck is one of the best we’ve seen. You can probably cut that small number by, what, 90 for people under the age of 55-60. That switch made all the difference what resulted was a unique, brighter sound and a durable body less vulnerable to climate change, one that produced a gorgeous patina with playing wear. 1929 National Triolian (serial number 1081) in guitar case - ResoSummit 2012 ( 17.40.01 by brad. 1929 National Triolian (serial number 1081) - ResoSummit 2012 ( 17.40.22 by brad bechtel).jpg. ![]() 1926-7 1st National Resophonic guitar, Museum of Making Music.jpg. Produced from 1928 to 1941, the Triolian was built with a wood body for its first two years of production before the switch to steel in 1929. The following 57 files are in this category, out of 57 total. This particular 1932 example at Greenwoods Music in Liverpool matches the year and look of the Triolian used famously by Rory Gallagher, and exemplifies everything we love about the model. When it comes to steel-bodied resonator guitars, the original National Triolian is an icon. ![]()
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